LAHZANI O‘G‘IRLAGAN SEHR: FOTOKAMERALARNING ABADIY HIKOYASI

Authors

  • Hasanjonova Muxlisaxon Hasanjon qizi O‘zbekiston jurnalistika va ommaviy kommunikatsiyalar universiteti, Jurnalistika fakulteti 1-bosqich talabasi E-mail: muxlisaxonhasanjonova7@gmail.com ORCID ID: https://orcid.org/0009-0003-9461-4459 Author
  • Hasanboyev Shoxjaxon Akmal o‘g‘li Muhammad al-Xorazmiy nomidagi Toshkent axborot texnologiyalari universiteti talabasi E-mail: hasanboyevshoxjaxon23@gmail.com Author

Keywords:

fotokamera, fotografiya tarixi, vizual madaniyat, ijtimoiy ong, xotira, jurnalistika, texnologik taraqqiyot, O‘zbekiston fotografiyasi.

Abstract

Mazkur maqolada fotokameralarning paydo bo‘lishi va rivojlanish bosqichlari, ularning insoniyat tafakkuri, ijtimoiy ong va madaniy xotira shakllanishidagi o‘rni yoritiladi. Kamera obskuradan boshlangan fotografiya tarixi analog va raqamli texnologiyalar orqali zamonaviy vizual madaniyatga qadar bo‘lgan jarayonlar misolida tahlil qilinadi. Shuningdek, fotografiyaning jamiyatdagi ijtimoiy adolat, tarixiy hujjatlashtirish, jurnalistika va estetik tafakkur rivojiga ta’siri, axloqiy masalalari hamda O‘zbekiston kontekstidagi bugungi ahamiyati ochib beriladi. Shu bilan birgalikda, fotosuratning inson xotirasi va vaqt bilan bog‘liq falsafiy mohiyatiga alohida urg‘u beriladi.

References

1. Barthes, R. (1981). Camera lucida: Reflections on photography. New York, NY: Hill and Wang.

2. Berger, J. (1972). Ways of seeing. London, UK: Penguin Books.

3. Inayatov, J. (2024). Turkiston o‘lkasidan chiqqan dastlabki mahalliy fotograf­lar va ularning faoliyati. O‘zMU xabarlari – Acta NUUz, 1(1.7.1).

4. Benjamin, W. (1968). The work of art in the age of mechanical reproduction. In Illuminations (pp. 217–251). New York, NY: Schocken Books.

5. Bourdieu, P. (1990). Photography: A middle-brow art. Stanford, CA: Stanford University Press.

6. Clarke, G. (1997). The photograph. Oxford, UK: Oxford University Press.

7. Tilavova, D. D. (2025). Xudoybergan Devonov - O‘zbek fotografiya va kino san’atining asoschisi. Oriental Renaissance: Innovative, Educational, Natural and Social Sciences, 5(5), 105–110.

8. Freund, G. (1980). Photography and society. Boston, MA: David R. Godine.

9. Lang, D. (2008). Dorothea Lange: A life beyond limits. New York, NY: W. W. Norton & Company.

10. Mitchell, W. J. T. (1994). Picture theory: Essays on verbal and visual representation. Chicago, IL: University of Chicago Press.

11. Sontag, S. (1977). On photography. New York, NY: Farrar, Straus and Giroux.

12. Sontag, S. (2003). Regarding the pain of others. New York, NY: Farrar, Straus and Giroux.

13. Wells, L. (Ed.). (2015). Photography: A critical introduction (5th ed.). London, UK: Routledge.

14. Zelizer, B. (2004). Taking journalism seriously: News and the academy. Thousand Oaks, CA: Sage Publications.

15. Newton, J. H. (2001). The burden of visual truth: The role of photojournalism in mediating reality. Mahwah, NJ: Lawrence Erlbaum Associates.

16. Perlmutter, D. D. (1998). Photojournalism and foreign policy: Icons of outrage in international crises. Westport, CT: Praeger.

17. Sobitova, G. A. (2025). O‘zbekiston kino, foto va fono hujjatlar milliy arxivi shakllanishida foto materiallarning o‘rni (XX asr misolida). Modern Education and Development, 36(2).

18. Pink, S. (2013). Doing visual ethnography (3rd ed.). London, UK: Sage Publications.

Downloads

Published

2026-03-31