BUXORO RAQSINING SAROY AN’ANALARIDAGI O‘RNI: ODOB, JEST TILI VA AMALIY ESTETIKA
Keywords:
Buxoro raqsi, saroy an’analari, odob tizimi, jest tili, amaliy estetika, raqs semiotikasi, tarixiy xoreografiya, raqs maktabi, estetik meros, milliy san’at.Abstract
Ushbu maqolada Buxoro raqsining saroy an’analari tizimidagi o‘rni, uning odob me’yorlari, gesture (jests) tili va amaliy estetika tamoyillari ilmiy jihatdan tahlil qilingan. Tadqiqot jarayonida tarixiy manbalar, etnografik ma’lumotlar, sahna ijrochiligi an’analari, shuningdek, Buxoro raqsi ustozlari bilan o‘tkazilgan ekspert suhbatlari asosiy daliliy manba sifatida qo‘llanildi. Maqolada saroy muhitida shakllangan raqqosalik odobi, qo‘l–bilak harakatlari, nigoh va qomat dinamikasi, ular orqali ifodalanadigan ramziy ma’nolar tizimi yoritilgan. Shuningdek, liboslar, ranglar semantikasi va zargarlik bezaklarining estetik funksiyasi amaliy san’at kontekstida tahlil etiladi. Tadqiqot natijalari Buxoro raqsi saroy madaniyatining muhim bo‘lagi bo‘lganini, uning harakatlar tizimi murakkab semiotik va estetik qatlamlarga ega ekanini ko‘rsatadi. Ushbu ilmiy xulosalar bugungi kunda milliy raqs merosini tiklash, xoreografiya ta’limi dasturlarini modernizatsiya qilish hamda sahna talqinlarida tarixiy aniqlik va ma’nodorlikni oshirish uchun muhim nazariy asos bo‘lib xizmat qiladi.
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